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The platform outlined in red looks so fragile—like a footnote to walking on thin ice in life.
Read the note ↘Memoirs of a Chinese restaurateur in Portugal, read through life’s changes and the I Ching.
If you can make ‘creation’ as natural as breathing, it is not because intention is absent; it is because all intention has already dissolved into the breath.Sam Wang
A life told through choices, losses and changes rather than a résumé.
From arriving in Lisbon to the Madrid expansion, family, and the pandemic.
A new digital beginning with XIAOXIONG®.
Photographs and short texts about Lisbon, restaurants, architecture, and the moments that do not fit inside the chapters.
90 translated notes · English edition
The platform outlined in red looks so fragile—like a footnote to walking on thin ice in life.
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“The oceanarium sheds the bustle of the day and returns to quiet;”
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“In the lower-left corner, the shadow holds up a phone;”
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“In the distance, two cable cars glide towards the end of the line;”
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“Beneath the streetlights, a family passes, seen from behind;”
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“The sky, so blue;”
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O Homem Muralha, a public art installation in Parque das Nações, was created in 2008 by the Portuguese contemporary artist Pedro Pires.
Five human figures face different directions, inviting reflection on the paths of individual identity in contemporary society.
Between body and soul, the Wall Man chose the soul, silently watching over the Tagus.
Keeping the back still, no longer grasping the self. — Zhou Yi · Gen, Judgment
Gen’s stopping makes orientation visible. Five still figures face different ways; remaining can contain choice and difference.
“Choosing the soul” is the author’s expression for the work. The figures do not establish a best direction; they allow standing together without unifying every gaze.
Reading in briefStand together, and retain different orientations.Five figures face different directions; I have crossed forks in the road too. The song’s urge to spread one’s wings is still with me as I build Xiaoxiong;
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Hello, I’m Wang Sanxiong — Sam 🤝
The book’s epigraph is my motto, and the starting point for how I understand life, restaurants, and entrepreneurship.
I am a Chinese immigrant living in Portugal, originally from Qingtian, Zhejiang, and a restaurant owner. I love architecture and the history behind it; I love the I Ching, and use Eastern wisdom to interpret the stories hidden behind history.
A battle for small and medium-sized restaurants to reclaim their own customer channels;
XIAOXIONG®; it is not an advertisement in this book. It is proof that, in the second half of life, I am still willing to change.