
Performer
The platform outlined in red looks so fragile—like a footnote to walking on thin ice in life.
Read the note ↘Memoirs of a Chinese restaurateur in Portugal, read through life’s changes and the I Ching.
If you can make ‘creation’ as natural as breathing, it is not because intention is absent; it is because all intention has already dissolved into the breath.Sam Wang
A life told through choices, losses and changes rather than a résumé.
From arriving in Lisbon to the Madrid expansion, family, and the pandemic.
A new digital beginning with XIAOXIONG®.
Photographs and short texts about Lisbon, restaurants, architecture, and the moments that do not fit inside the chapters.
90 translated notes · English edition
The platform outlined in red looks so fragile—like a footnote to walking on thin ice in life.
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“The oceanarium sheds the bustle of the day and returns to quiet;”
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“In the lower-left corner, the shadow holds up a phone;”
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“In the distance, two cable cars glide towards the end of the line;”
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“Beneath the streetlights, a family passes, seen from behind;”
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“The sky, so blue;”
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In a private karaoke room (KTV) that evening, I heard a joke: “In life, having money or not doesn’t matter; just don’t end up being a ‘joke’;”
I didn’t get it at first. My “understanding”… always a little behind; the music was still good, and the mood just as relaxed.
One person lives in their own world; another lives in other people’s world.
“So! What are they ‘talking’ about, then;”
Fire above, the lake below: Divergence. The noble person remains different within what is shared.
In Kui, Li, fire, is above Dui, the lake: fire rises while water tends downwards. They share one hexagram yet move differently. The Image says the noble person remains different within what is shared. Here, the room, the music and the gathering are shared; “don’t become a joke” may mean something different to each listener. The final question leaves that difference open.
In “Family,” a young man meets the author in a private dining room at Hai Shang Tian and says he once worked at the author’s restaurant; the author cannot recognise him. One encounter holds familiarity for one and strangeness for the other: their memories reflect different relationships.
Back in the illustration, two men share a sofa: one leans forward to speak, the other listens with a hand near his face. A microphone lies still on the table while a figure sings on the screen. This AI-generated illustration places speaking and listening, movement and stillness, in a yin–yang mirror without fixing either person to one pole. They sit close, but the words still have a distance to travel.
Reading in briefOne shared place, different perspectives; leave room between speaking and listening.The song accompanies the wish to remain yourself under other people’s gaze. Its familiar Cantonese voice holds the relaxed atmosphere and the unspoken question between your own world and everyone else’s.
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Hello, I’m Wang Sanxiong — Sam 🤝
The book’s epigraph is my motto, and the starting point for how I understand life, restaurants, and entrepreneurship.
I am a Chinese immigrant living in Portugal, originally from Qingtian, Zhejiang, and a restaurant owner. I love architecture and the history behind it; I love the I Ching, and use Eastern wisdom to interpret the stories hidden behind history.
A battle for small and medium-sized restaurants to reclaim their own customer channels;
XIAOXIONG®; it is not an advertisement in this book. It is proof that, in the second half of life, I am still willing to change.